Mount Rainier, pt. 2
As seen from a turnout on Washington Highway 12, and though it may appear to be taken at sunset, this image was shot in almost complete darkness.
Photograph taken in June.
I recommend Satin paper for this print. Metallic would probably work well, too, and as large as you can stand (but I am a bit biased on that last front).
As seen from a turnout on Washington Highway 12, and though it may appear to be taken at sunset, this image was shot in almost complete darkness.
Photograph taken in June.
I recommend Satin paper for this print. Metallic would probably work well, too, and as large as you can stand (but I am a bit biased on that last front).
As seen from a turnout on Washington Highway 12, and though it may appear to be taken at sunset, this image was shot in almost complete darkness.
Photograph taken in June.
I recommend Satin paper for this print. Metallic would probably work well, too, and as large as you can stand (but I am a bit biased on that last front).
Things To Know About Paper Selection
Matte
Best for soft photos or subdued colors, such as portraits and low-contrast black-and-whites.
60 lb Basis Weight
Acid Free Base & Coating
Satin
Best for detailed photos or saturated colors, such as landscapes and environmental portraits, as well as punchy black-and-whites.
68 lb Basis Weight
Acid Free Base
Slightly Acidic Coating
Metallic
Best for vibrant, high-contrast photos with high dynamic range, such as urban and architectural photos where metal and glass reflections can take advantage of the paper’s pearlescence.
66 lb Basis Weight
Acid Free Base
Slightly Acidic Coating
Low OBA Reduces Visible Yellowing
Archival
True conservation-grade, museum-quality cotton rag paper similar to watercolor or cold press paper. Some brightness and vibrancy is sacrificed in exchange for longevity.
Ideally Handled with Gloves
84 lb Basis Weight
OBA, Acid, Lignin Free to Maximize Print Lifespan